The Nick Drake Files

I’ve been reading the Nick Drake Files with various interview transcripts. He seemed to come across as a slightly tormented soul.

 ”I can look out of the window now, and that tree over there is green, whereas before one goes to bed, just when one goes to bed, that tree should be black, surely. Everything should be black before one goes to bed, but that is surely the essence of the romantic.”

Have a read here.

Intro.

M83 - Birmingham HMV Institute - Saturday 21 Jan 2012

Having finally released his dream double-album last year - something which he had longed to achieve since childhood - Anthony Gonzalez’s energy and passion on stage affirmed his contentment with his new release.

Founded in France in 2001 by Anthony Gonzalez and Nicolas Fromageau, M83’s self-titled first album never reached a wider audience than inside of Europe. And after touring their second album Dead Cities, Red Seas & Lost Ghosts, Gonzalez and Fromageau went their separate ways. Since then, with another four albums under his belt, Gonzalez has gone on to write successful albums predominantly about youth and being a teenager, which have struck a chord with many people. As well as supporting bands such as Kings of Leon, The Killers and Depeche mode, M83 composed music for Black Heaven by French director Gilles Marchand in 2010. With the fifth studio album Saturdays = Youth (2008) taking a progressively more 80’s turn, this paved the way for the polished and exciting double-album, Hurry Up, We’re Dreaming in 2011.

The expectant crowd were greeted with a familiar face. The creature we see on the album cover of Hurry Up, We’re Dreaming, wandered onto the stage to a soundtrack out of this world, as if to suggest M83 were other worldly.

Then arriving on stage, accompanied by Morgan Kibby in a shiny mermaid-like dress and Jordan Lawlor with his curly blonde locks and monochrome ensemble, Anthony Gonzalez looked fairly normal. Going straight into The Intro, the immediate depth of sound was evident. The band swayed and nodded to the pulsing beat, and Morgan Kibby’s harmonies cut through Gonzalez’s subtle voice. The opening chords of Kim and Jesse sent the crowd wild, and again, Kibby’s harmonies proved a welcomed break to Anthony’s familiarity. 

After the crowd warmed slightly, Anthony took his time to finally say hello, four songs in, “Hi guys. This venue’s so big. Look at all you guys! Thanks for coming…” better late than never. Wait and Claudia Lewis commanded everyone’s attention. Not a single voice could be heard in the crowd, and every face had a euphoric, joyful smile across it as Anthony’s voice cried out through the misty atmosphere.

As the songs went on, the band became more and more energetic and outlandish, prompting Anthony to finally take off his T-shirt to reveal his black vest and sculpted arms. After Steve McQueen, it was obvious that Anthony was a little twitchy. He shouted out, “What’s up guys! Why’s everyone so shy of dancing? Let’s dance a little bit.” The Midnight City intro rang out, and the obvious ‘do as you’re told’ dancing ensued. A girl on sax came out for the latter part of the song, and Anthony just went wild. He mounted the protective metal barrier, shook people’s hands and then just dove straight into the middle of the crowd. He made it back to the stage within minutes and began to take photos of the crowd on his iPhone - which obviously sent everyone into a chaotic screaming, jumping mess.

 The encore was Skin of the Night, which really set the old fans apart from the new. Then straight into Couleurs. Jordan Lawler was jumping up onto the amps and everyone was animated like never before. The stalls were raving, and if I’d come for a fucking good dance, Couleurs would have been the perfect song to do just that. Everyone was smiling and jumping, and the atmosphere was electric. After the final chord, Anthony raised his guitar up in the air in a victory salute - really summing up the success of the whole night. They delivered everything you would expect M83 to deliver. Their passionate, energetic and dramatic performance excelled the crowd from a still pit of gazing, marveling eyes, to a jumping, singing, animated bunch after an hour or so. Their live sound surpassed anything you will hear on the albums. Worth every penny!

Techno-crazy.

How far do we have to go until we get to the techno-dystopia seen in films such as Wall.E?

In an article “The Year in Education: Seven Innovations Changing the Way the World Learns”, Liz Dwyer talks about the way technology is changing education. One teacher in Atlanta uses Angry Birds to teach physics, and kids checking their phones and social networking sites proves to be a positive step in learning. How long until we rely on technology to do everything and anything? As much as technology is useful, what happened to good old face-to-face interactions with other humans? Of course, every negative comes with a positive. Twitter allows students to interact with class discussions and blogging helps develop writing skills and get kids’ creative juices flowing. Definitely worth a read, but dangerous ground to tread in the long-run, perhaps.

The day we almost burnt the house to the ground.

The day we almost burnt the house to the ground.

Pay It Forward

I’ve been thinking a lot recently about good-will. How positivity, when used both physically as well as mentally, can change the world we live in. There are so many angry people. There always has been and there always will be. But it got me thinking about how it can be changed, and how we can look to a happier future. Sure, there are some things that are just out of our control; government choices, laws, time, environment, even finance sometimes, but if we learned to relax, and interact with other people in a more positive way, maybe we’d all be happier. It’s really cheesy when people say that smiles are contagious, but it’s very true. It all got me thinking about ‘paying it forward’; creating a world-wide positive chain reaction, and I decided to have a look at all the good things people are doing.

Obviously there’s the selfless charity work people do day-in day-out, and there’s all the stuff we hear about (on occasion) in the news. A couple of years ago, I came across geocaching. Although geocaching is not something that benefits people through material goods, it does get people connected and is like a chain reaction. It’s described on the website as a “real-world outdoor treasure hunting game”, which I think is rather sweet. To find out more, see this video

Similarly, I thought about those romantic ideas we read in books and see in films, where someone leaves a book in a coffee shop, and in the front a message reads “To whomever finds this book. Please keep it, read it and pass it on when you’re finished. it will change your life. Anon.” There’s also those people who leave notes on walls or tables, with little words of wisdom or quotes to make people smile. I’ve read a couple which have made my day before, and each time, they remind me how similar we all are.

Interestingly, in 2008 in ‘Loveland’ USA, people started ‘paying it forward’ at Starbucks. One person paid for the person behind’s order, and it carried on. Video. There is also a pay it forward day too.

I think my next adventure in filmmaking, would be to follow a book around the world, and show the stories of each person that picks it up. It would be interesting to see what kind of book it is, and how it impacts the individuals lives.

But anyway… Spread the positivity people. You never know, it might come full circle.

Canon 7d with Canon 50mm prime manual lens on. I went as Del Boy to NYE. The mask is scary on.

Canon 7d with Canon 50mm prime manual lens on. I went as Del Boy to NYE. The mask is scary on.

Nick Drake always makes me feel like everything’s going to be okay. 

Etta James - At Last
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Etta James - At Last

RIP.

(via vintagegal)

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MOONRISE KINGDOM.

Ohhh. I cannot contain my excitement for this film. I can already tell it’s going to be one of my favourite films ever, along with every other Wes Anderson film (Darjeeling Ltd. being my favourite). He makes the films I wish I could make. He is the only person in the world that I feel this about, and I connect to them all on so many levels. I AM EXCITED! … And with Ed Norton too. Too good, too good. 

SIMEN JOHAN.

-

Recently I saw an article in Artbox magazine about Simen Johan. I was standing in W.H.Smith scanning through all the usual magazines I read. Usually I don’t read the articles, I just scan them and see what looks interesting and then buy it. But on this particular day I couldn’t put Artbox down. Especially after seeing Simen Johan’s photos within the pages. He has a mixture of really bizarre, fantastical David LaChapell-type photos (like the one with the boy carting a dog around with him, 2003), and ethereal animal portraits. The owl one in particular reall caught my eye (2006). Some of his earlier work is really interesting. The black and white photo is from his earliest series, and frankly, scares me. I found it hard to pick the photo I found the most interesting from his 90s work, as they are all really bizarre and actually quite disturbing.

If you like the photos above, check out the rest here. Definitely worth a look.

Innit.

Innit.

(via echoed)

“Here are the pages from my journal the day we went to the Polaroid exhib.
Here are all the memories I keep from when I see you.
Here is the Polaroid film I was going to give you when you finished all your work.”

I still remember all of it. Fondly.

“Here are the pages from my journal the day we went to the Polaroid exhib.

Here are all the memories I keep from when I see you.

Here is the Polaroid film I was going to give you when you finished all your work.”

I still remember all of it. Fondly.

Documentary Film and Television graduate
______________________
Keen filmmaker, photographer

and social media user.


Thank You

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